A three-books-in-one omnibus edition of Patsy Adam-Smith's memoirs — Hear the Train Blow, Goodbye Girlie, and There Was a Ship — complete and unabridged in a single volume.
![Pedder - the story, the paintings: Max Angus's watercolours of the original Lake Pedder | 2008 [USED – HCDJ]](https://onlinestore.bookcellar.com.au/images/T/pedder-the-story-the-paintings-max-angus-dYKAXM.png "Pedder - the story, the paintings: Max Angus's watercolours of the original Lake Pedder | 2008 [USED – HCDJ]")
Max Angus's watercolour record of the original Lake Pedder, painted from memory and earlier sketches after the lake was flooded by the Hydro-Electric Commission in 1972 — making these among the very few artistic records of what was lost.
![Pedder Pictorial - a photographic record of the original Lake Pedder, two years before its flooding | Don Stephens | 1970 [USED – Small Booklet – Rare]](https://onlinestore.bookcellar.com.au/images/T/pedder-pictorial-qUyQFU.png "Pedder Pictorial - a photographic record of the original Lake Pedder, two years before its flooding | Don Stephens | 1970 [USED – Small Booklet – Rare]")
Don Stephens, a Mercury staff photographer, produced this small photographic booklet of Lake Pedder in 1970 — just two years before the original lake was destroyed forever.
![People, Pottery & Painting – Life Stories of Eileen Brooker | Sue Abdullah | 2025 [NEW – SC]](https://onlinestore.bookcellar.com.au/images/T/people-pottery-painting-eileen-brooker-ZJyoik.png "People, Pottery & Painting – Life Stories of Eileen Brooker | Sue Abdullah | 2025 [NEW – SC]")
Sue Abdullah's biography of Eileen Brooker — Tasmanian potter and painter, born 1922, and one of the most distinctive artists of her generation in Tasmania. Brooker studied art in Hobart where she met fellow student and sculptor Oliffe Richmond — a relationship that would prove one of the significant artistic and personal connections of both their lives.
In an unusual combination of history, geography, social science, ecological science and policy analysis, this entertaining and well-illustrated book uses the vivid words of farmers, historical sources and contemporary research to provide some insight into issues arising from interactions between people, sheep and nature in the run country of Tasmania.
