Andrew Wilson's photographic portrait of Tasmania's seafaring community — the first of two volumes. Wilson photographs and interviews the people who have made their lives on and around Tasmanian waters — fishermen, shipbuilders, maritime tradespeople, chandlers and others whose working lives are tied to the sea.
David and Shirley Westlake's photographic survey of old Tasmanian locations — historic buildings, streetscapes and landmarks across the island, presented in sepia-toned photography with short historical notes.
Clifford Craig's catalogue of prints depicting Van Diemen's Land and Tasmania — prepared by engravers and illustrators in Great Britain, Europe and on the Australian mainland during the colonial period. Craig was the foremost authority on early Tasmanian printmaking and visual history — his three major reference works on Tasmanian prints form the definitive scholarly record of how the island was represented visually to the outside world during the colonial era.
Gillian Ward presents a selection of Hobart-born Olive Pink's botanical paintings, held at the University of Tasmania Library. Signed by the author. Hardcover, 2018, 228 pages, indexed, used.
A poetic and eloquent meditation on the power of listening.
A rare and highly collectible multi-disciplinary study of Hobart's iconic mountain, kunanyi / Mount Wellington.

